The World of Ancient Assyria
An Assyrian priest in a cougar headress
At this time Overturned has 347 footnotes chronicling the authentic elements of the story. Sadly my overwhelming love of footnoted information is apparently not shared by the majority of the population. Although the soul stirring content of my footnotes is unavailable to the general public, if you are a kindred spirit and have a question about a specific passage in Overturned please contact me tomewriter@kristenjoywilks.com and I will dive deep into my wonderful collection of data and attempt to answer your burning query.
If you are familiar with the book of Jonah, you'll realize that a good deal of Overturned is a creative endeavor (made up). However, I was careful to keep my story from contradicting the biblical account. I also spent a good deal of time and effort researching ancient Assyria for the story. So what parts of Overturned are real?
The Events
The famine, solar eclipse, and earthquake are historical events. Also, the practice of finding a substitute king following a total solar eclipse was found in Mesopotamia/Assyria. As mentioned in the story, child sacrifice existed in Canaan to the gods Baal, Chemosh, and Molech. There are signature seals from Assyria depicting human sacrifice and some contracts stated that if the agreement was broken a child would be burned to the gods as a penalty. But whether human sacrifice actually occured in Assyria is a subject much debated. I added many story details, but underneath it all remains the bare bones story of Jonah's reluctant visit to Nineveh and the people's subsequent repentance as found in the bible.
The Geography
The rivers, mountains, and deserts should all be in their proper places. The trade rout that Nirari took across the desert is a real one. It was the shorter and more dangerous of the two commonly used desert crossings.
The Scenery
From sandstorms to lady palms, date groves to irrigation ditches, I strove to put my research to work painting a realistic picture of ancient Nineveh. If a plant's specific name is given then it grows or grew in that area. I was able to interview a soldier who spent some time in Iraq. He waxed eloquent about sandstorms, desert scenery, and flies. However, most of my info concerning plants ended up coming from books.
The Wildlife
If an animal's name is given, then it lives or lived in Assyria. The exceptions to this rule are the gnat and the moth. I am fairly certain that Nineveh enjoyed the presence of both, but do not have proof of it. I know they have gnats in Egypt but I was unable to find any further information on Middle Eastern gnat populations. Since Nineveh rested up against the Tigris River it probably supported a healthy gnat infestation, but without a research source I cannot say this with certainty. So be confident of all other animals mentioned, while taking any gnat and moth references with some healthy skepticism. As a side note, you will notice that the Assyrians kept some animals in the Royal Paradise that were not native to their land.
The Paradise
Paradises were ancient game parks kept by Assyrian (and other) kings for hunting purposes. Think “The Zoo of Death” from The Princess Bride but put it above ground and include a breeding program. Some historians think that it was the Assyrians who actually invented these game parks. All of the animals I mentioned for the paradise were actually kept, although different kings probably had slightly different collections. We know that the royal gardens were irrigated and often situated close the Paradise, so I presume that the Paradise was irrigated as well. The king was expected to engage in royal lion hunts to demonstrate his prowess as a hunter and leader. This would be accomplished in the Paradise. Of course some hunting expeditions occurred during campaigns as well.
The Horses
The Assyrians changed the face of ancient warfare with their skillful use of cavalry horses. Saddles had not yet been invented, therfore Assyrian war horses were ridden in pairs. One horseman would hold both sets of reigns and another would shoot his bow at the enemy. Only stallions were ridden in war, but Assyrians also kept horses for pleasure riding. Wall reliefs show grooms brushing and feeding these highly prized war machines.
The Food and Beer
All of the food that I mentioned in the book was actually eaten in Ancient Assyria. And barley beer was everyone's preferred drink. The rich drank it out of golden straws to prevent the swallowing tiny pieces of barley while imbibing.
The Clothes
Poor men would wear a simple tunic with sandals. Poor women were found sporting a long plain shawl draped over a tunic. The wealthy had elaborately embroidered tunics. The men wore richly fringed robes over tunics with tassels along the bottom. Wealthy women wore embroidered tunics with tassels and enormous fringed shawls wrapped in spirals down their bodies. Foot wear consisted of leather sandals of differing styles as well as leather boots for soldiers. Either linen or wool was used for cloth.
The Laws
My examples of Assyrian law come from the Assyrian Law Code. It was the harshest of the ancient law codes and one hopes that these punishments were rarely used. But it is of course impossible to know how often the laws were carried out as written and how often the authorities were merciful.
The Religion and Superstitions
The Assyrians worshiped many gods, but I chose to only mention some of the main ones. They also held many superstitions. We know that Ishtar specifically was worshiped in Nineveh as there was a temple dedicated to her in that city. The king, being Assur's high priest, would have duties to Assur no matter what city he was ruling from.
The Warfare
Assyria was a war based culture. Their main cash crop was actually war booty. Years of battling for their lives molded them into the most fierce warriors of the ancient middle east. They used cavalry sooner than their neighbors. They had a wide variety of fighters including archers, slingers, spear men, men with swords and maces, cavalry, pioneers or sappers who blazed trails and dug into city walls, as well as the soldiers who worked the great siege engines. They also employed the strategic use of planned atrocities to spread terror before them as they swept across a new area, and to keep subservient territories from rebelling.
The Hunting
Hunting was a vital activity for Assyrian men, especially the king. A successful hunt demonstrated the blessing of the gods upon him and the killing of lions specifically represented the slaughter of his enemies. By hunting he was able to prove his prowess to the people and demonstrate that the gods had placed the animals of the field beneath his feet. The scene in Overturned where the king shoots a lion from his chariot is depicted on a wall relief showing a royal lion hunt. Nirari and the lioness were added, but the details regarding the king, the number of arrows shot, his back up men, and the lion slamming his front paws down on the chariot before he died, are all from the wall relief.
The City
The city of Nineveh was remodeled by King Sennacherib after the time of Jonah. Although I can't say precisely what Nineveh looked like at the time of Jonah visit I was able to make a good guess from what archeologists found upon excavating Nineveh, reading about Sennacherib's renovations, and looking at what archeologists discovered from earlier time periods in other locations.
The Characters
Jonah, the King, and the crown prince are historical characters as well as the other Assyrian monarchs mentioned in the story. We do not know for sure which king ruled during Jonah's visit, but we do know that Assur-dan III was king during the earthquake, eclipse, and famine, all of which occurred during Jonah's lifetime.
The Palace
The palace in Overturned is based on a couple of different sources. Sennacherib's "palace without rival" is the royal dwelling that archeologist un-earthed at Nineveh, but it was built after Jonah's time. However, there had always been a small palace at Nineveh and Sennacherib's was especially large and grand in comparison to most other palaces. So I looked at information on earlier palaces for many of the details that I used when describing the palace in Overturned. Assyrian royalty also kept small palaces in other cities where they could visit and still be comfortable. Much like an ancient summer home, these residences provided some information as well. I was amazed to read that even small palaces had indoor plumbing for the king's bathroom, floors paved with glazed bricks, muraled walls, painted ceiling beams, carved stone wall reliefs, stone colossi, and some sort of ventilation system.
You will need to scratch or draw out a rectangular pattern of twenty squares. Then obtain two ten sided dice, two people, and two game pieces. My husband Scruffy (or Daryl) was gracious enough to invent rules for this ancient game. He's an excellent gamer and I'm sure they'll be great once he's finished. The problem of course, is that he isn't finished quite yet, so you must have patience. But be of good cheer, apparently patience is a fruit of the spirit and quite valuable as a social skill as well.
An Assyrian Eunuch
The Clothes
If your hearts desire (or the desire of your sweetheart) is to disguise yourself as an Assyrian king you will need several clothing items. A long floor length tunic (a tunic looks like a big T-shirt or night shirt that is either thigh length or floor length. Men's tunics were short sleeved and women's had tight ¾ sleeves) with tassels on the bottom hem, a floor length robe worn open at the front with fringe around the edge, sandals, a belt, and preferably three ceremonial daggers. Sadly, ceremonial daggers gold or otherwise tend to be frowned upon at school functions so you will need to construct some out of cardboard and aluminum foil. But after that you'll be all set. Wearing the man's costume is simple. Put on the tunic. Belt the tunic inserting your three shiny, yet conveniently non-lethal, knives into the belt with the handles sticking out the top. Then put on the robe leaving it open in the front. Finally put on the sandals.
However if you long to attend your next costumed event as a royal Assyrian beauty you will need a different wardrobe. Make or acquire a floor length tunic with ¾ sleeves and tassels around the hem, a large shawl with fringe on all four edges, and sandals. You will need six yards of either wool or linen at least 50” wide, 10 yards of fringe, and 1 ½ yards of tassels. The shawl should be a rectangle of fabric 50” by 130” with fringe on all four sides. To drape it over the tunic first wrap it once around the lower legs so that it is the same length as the tunic, then continue to wind it up around the body, when it has been wrapped once around the upper body just under the armpits stop just behind the right armpit, then draw it across the back and up over the left shoulder, A corner of the shawl will hang down over the left shoulder.
The Hair
Wealthy men and women wore the same hair style. But men sported an elaborately plated beard to distinguish themselves from the ladies and eunuchs. Hair was worn long, plaited from the forehead down to the shoulders where the ends of each plait were curled into oiled ringlets that fell on the shoulders. The plaits looked like our modern cornrows. Simply have your hair braided in eight to twelve plates starting at the forehead and ending at the shoulders. Then use a small curling iron to make the ringlets at each braid's tip. Guys may need to braid and wear a wig for this. Assyrians were called “the black headed people” so I presume that their hair was black. So for the cause of authenticity, be sure to dye your hair black.
The Cosmetics
Both men and women lined their eyes with kohl. Kohl was a black cosmetic intended to be worn like eyeliner around the entire eye, giving an Egyptian sort of look. Then women added a little color. A reddish blush was used. Eye paints came in white, black, yellow, red, blue and green.
Roasted game bird Middle Eastern flatbread Figs, Apricots, and dates
I realize that some of these recipes come from other areas of Mesopotamia, but we shall presume that an Assyrian in the royal household would have recipes available from neighboring areas as well.
Babylonian Mint Partridge
I've come up with a tasty modern equivalent to an ancient Babylonian recipe for mint partridge. You will need two Cornish game hens, raw and thawed, fresh mint, salt, and vinegar. Lift up the bird's skin and rub the meat with salt and fresh crushed mint. Then sprinkle with good balsamic vinegar. Place in baking pan and bake at 350 degrees F for an hour or until meat thermometer reads 180 degrees F. Then remove and enjoy.
Kristen's Assyrian Flat Bread
Mix 3 ½ cups barley flour with 1 Tbsp. sugar, 1 ½ tsp. salt, 1/8 cup softened butter, and 1 cup warm water. Heat a large earthen pot in a fire pit to med/low, brush pot with a good amount of sesame oil, then slap lumps of the dough onto the inside of the pot. Turn to brown the opposite side. This is the method used to cook fry bread in Assyria. Or if rushed simply use a frying pan coated with sesame oil on your stove top and cook dough like you would a pancake. Serve bread hot with butter and honey. This recipe is highly influenced by my sister-in-laws scrumptious flatbread creations. But rest assured that Assyrians did make flatbread with barley flour and sesame oil, cooked it in earthen pots as I described, and that all of these ingredients were available.
Fresh Sliced Fruit
Fruits found in Assyria include apples, apricots, cherries, figs, melons, mulberries, pears, plums, pomegranates, quinces, and most importantly dates. To prepare this dish you must slice the fruit of your choice and serve on a platter.
Royal Sumerian Fruitcake
“Should you wish to sample a fruitcake fit for a Sumerian king or queen, the recipe survives: one cup butter, one-third cup white cheese, three cups first-quality dates, and one-third cup raisins, all blended with fine flour.” Handbook to Life in Ancient Mesopotamia By Stephen Bertman p. 293.
To make this Mesopotamian desert mix the above ingredients, (preferably using barley flour) place in a cake pan greased with sesame oil, and cook at 350 degrees F for 20-30 minutes. Serve drenched in cream. Fear not, this delicious topping is historically accurate. Assyrians actually did use cream in their cooking as well as for anointing newly dedicated building projects.
Assyrian chariot horses
If you can find a bridle decorated with ivory and tassels wonderful. Otherwise tie tassels onto your current bridle. Hang a decorative swag around your horse's neck and place a single tassel hanging over the breast. Spread a cloth of fine wool on your mount's back. Tassels can be attached to each of the four corners. And thus you are ready to go. If you desire to shoot a bow while riding you will need a second horseman to hold your horse's reigns while you gallop about hunting. Or you could wait a few years and ride after the saddle is invented. Your choice.
The Tigriss River
I have been working on this book for five years which spiritually speaking is a long time. Much of what God and I wrestled over during this season snuck into the story.
It's amazing how a thought can be so profound and life changing when kept between yourself and God, and then as soon as you put it to paper it manages to look as thin and dead as onion skin. God speaks to the human spirit in eloquent tones, but gently accepts our blathering attempts to respond. You have probably experienced something similar while attempting to articulate an experience of a spiritual nature. Something indescribable, yet more real then the taste on your tongue and the images behind your eyes, something of God. It never seems to come out right. Words don't sing as sweetly as the voice of God.
So I revised many times. Cutting out some horridly awkward stuff that I would have sworn could not have sprouted from the heart and soul of yours truly. It was a humbling experience. To see those fresh jewels of faith that God had burned upon my heart with His power and beauty and perfect grammar, and realize that my rendering sounded retched, didn't remotely portray the truth of God, and on many occasions even had the nerve to be spelled wrong. I love it that He speaks with clarity and blazing truth to the heart. But I wish our ability to capture the essence of His voice were more developed, more delicate, more functional.
He has taught me so much during these five years and I longed to translate some of that into story. Know that I made a valiant attempt, deleting many many typed atrocities and trying again. If this foggy reflection manages to pull off a moment of brightness, know that it was all much better when He said it. Then go and listen for the real thing, that gentle whisper against your soul, and you'll see what I mean.
Kristen's Brilliant Insights—I swear they were brilliant before I started typing. And now… Hmmmm
*Warning: Plot details revealed that may spoil the ending*
Reject Stones and Flaming Swords
Matthew 21:42b, 44
“…The stone the builders rejected has become the capstone; the Lord has done this, and it is marvelous in our eyes…He who falls on this stone will be broken to pieces, but he on whom it falls will be crushed.”
God is God, the same, unchanging. Yet our response to him brings about experiences that can be totally different from the person next to us. Our world, how we see people, how we live, what we do and feel, can be broken to pieces by an encounter with Christ. A terrible and beautiful thing to be sure. Or we could be crushed, rendered irreparable by His holy presence. Strangely the choice seems to be ours.
In chapter nineteen of Overturned the burning man cuts through both Nirari and Anzillu. No blood is spilt and no wounds are given. Yet Anzillu drops dead and Nirari is healed. Why? One of them fell upon the stone, broken and looking for God, and one was crushed.
Thank God that what is broken can be mended, because with the amount of falling I manage to accomplish I seem to be in need of repair hourly. My struggle is to see the broken wreck of my own attempts and to fall upon Him, instead of bursting into tears of despair. Perhaps I'll learn tomorrow, or Friday, or when I'm 67…
Walking Dark Paths
Isaiah 50:10b
“Let him who walks in the dark, who has no light, trust in the name of the Lord and rely on his God.”
God makes no guarantees. At least no physical ones, earthly ones. There are many wonderful spiritual guarantees. “I will be with you always even to the end of the age…” But the guarantees we would like (you will not suffer, none of your close family will have cancer, car wrecks, or be crushed by abuse) He seems to have decided to let the world continue to be a dangerous place, even if He has children living here.
I learned this at fourteen when my father was killed in a simple accident. A good father, a godly man, lots of future on the horizon, dead. And God was there. I felt Him working, moving, comforting, and providing courage. Yet my father was dead all the same.
This idea of no guarantees is a much more difficult thing to accept as a parent. My first baby was born shortly after I started writing Overturned. I found Nirari fearing for Hadden's safety, having a hard time trusting that God loved her brother when He refused to guarantee his safety. I had to tone it down a bit in the book, because Nirari was beginning to sound like a mother and not a sister. But that was where my heart was all the same.
“Let him who walks in the dark, who has no light, trust in the name of the Lord and rely on his God.” This world is dark. It is dangerous. For some reason God is allowing it to continue to be dark and dangerous for the time being. Yet here are His children stumbling along in this dark place wondering what the heck God was thinking, where the path went, and if maybe we should consider a different guide. The verses following this passage are terribly clear concerning God's opinion of those who “light their own torches” to find their way in the darkness. No, it appears that things will continue to be dark and He expects us to forgo torches, cling to His hand, and place one unseeing foot after another. An army marching blind, because we trust Him, because He loves us.
A difficult situation to accept when you awaken at night just to rush into their room and watch those angel babies sleep. What if some terrible disease attacks and they live in pain that I cannot ease? What if they encounter a child predator that I do not detect? What if cruel people manage to crush their little spirits at school? What if I end up being a terrible mom and crush their little spirits at home? And yes God reaches out to me in those times, but the world remains dark. God does not offer a cruelty free future for my babies. He offers Himself. His love. His Holy presence burning through my heart, remaking me. He is fierce and faithful and glorious and untamable. Unpredictable. The dreadful dark remains and He simply holds out His hand. “Walk with me, carefully there's no light. You must rely on me. I am your God. You must trust.”
Isaiah 50:10b “Let Him who walks in the dark, who has no light trust in the name of the Lord and rely on his God.”
Ancient Assyrian writing on a ziggurat shaped stone
When I was in Bible College I took a class called Ancient Near Eastern History that I absolutely loved. I learned many different things, but Assyrian history really stuck with me. Finally after studying Assyria I understood why Jonah did not want God's mercy shown to Nineveh. This changed the whole book of Jonah for me and made me wish that everyone could take the same history class and see the book of Jonah like never before.
Some time later, about a year into my first distance writing course I was soaking in the bathtub bemoaning the fact that I didn't have any ideas for stories with substance. Stories that meant something. I spend some time praying. Asking God about this desire to write, about my lack of meaningful material. And in the middle of all this whining out to the Lord, I had two great story ideas! I sat there stunned, and then wrote them down as quickly as possible before I went and forgot them. One of these was a picture book idea and one of them was the spark that would become Overturned.
Now I don't know if this story will ever be published. I spent a year writing the picture book and send it to many publishers to no avail. I am just starting that process with Overturned, over five years after the idea strangely materialized. But whether it is published or not, I'm glad I wrote it. It delights my heart that God cares about our creative endeavors. That He can direct a dream and use it in the heart of the dreamer to further His kingdom.
Writing has made me stop and think, made me look deeper, forced met to consider carefully exactly what it is that God does in the human heart and how in the world to portray that on paper. He is faithful in the enormous things like soul smashing tragedy and also in the tiny things like unspoken dreams. In every part of you God is present and powerful. No matter if the situation is silly or shattering, He is God, He is interested and understanding and urging us to include Him. So strange. Yet perhaps not.
A Middle Eastern donkey
What story character are you most like?
Take this easy quiz to find out.
Q. What would you do if an angry bull elephant crashed out of the forest and was one breath from trampling you to death?
A.
a) Kill it.
b) Ride it. The gods adore me, I'll be fine.
c) Step out of the way
d) Wave a stick at it while cursing in ancient Sumerian.
e) Use my long spear and a backup archer.
f) Wave hi and gurgle
g) Snort and run madly in the opposite direction.
Q. What is the best course of action when you have entered a cave and it comes alive with ominous growling and dull glowing eyes?
A.
a) Kill them all. Any true male would.
b) Leap into the cave before they bite and grab one. The most
important thing is to find out exactly what they are.
c) Turn around and find a different cave.
d) Whack them all on the head. How dare those narrow-eared
beasts steal caves from a respectable elder.
e) Send in my personal body guard to flush them out while I
wait at the narrow entrance with my lion's head dagger.
f) Scream and point.
g) Wheel quickly and let loose a double hoof kick into the
darkness.
Q. What is your favorite meal?
A.
a) If it moves, kill it. Then impale a good sized chunk of the flesh
on a stick, roast it over an open flame, and eat while the fat
is still bubbling hot.
b) Any meal that contains these three things. 1. Sitting calmly without any frothing assassins leaping out of the darkness. 2. Sand free clothing. 3. Royal Sumerian Fruitcake.
c) Hot flat bread, roasted carp, and dried apples.
d) Thick cream poured over fresh cherries. Only a narrow-eared
swamp pig would want anything else.
e) Slow roasted crane, pickled ox haunches, fine bread with
chunks of fruit and cheese kneaded into the dough, and
fresh sliced apricots.
f) Sheep's milk and softly fried bread.
g) Tender grass shoots sprouted on the first sunny day of
spring.
Q. If you could be any type of animal what would you be?
A.
a) A Lion. Then I could kill things with my teeth.
b) An antelope. They're free, pretty, and no one rides them.
c) A horse. At least I'd already know most of the language.
d) A she bear. I could be big, grumpy, and no one would dare
bother me.
e) A Lion of course.
f) A jerboa. They're silly, fast, and bouncy.
g) Definitely a horse, need you even ask.
Q. What is your favorite drink:
A.
a) Beer
b) Beer
c) I'm mostly given water
d) Beer
e) Date sweetened beer sipped from a golden straw.
F) Milk. Sheep, goat, or camel. But never ever donkey.
g) Beer
*Note: The most common drink in ancient Assyria was barley beer.
Q. If you had a month to do anything you wanted what would you do?
A.
a) Gather ten willing men, twelve barrels of beer, and an un-used siege engine. Then convince some desert crazed beast to attack us while we drink beer and shoot arrows down at it.
b) Take Joram for an un-official visit to the royal stables of Babylonia. Maybe borrow a few stray mounts if no one's looking.
c) Make Nirari swear that she won't do anything interesting for an entire moon and just go about every day in peace and good health.
d) Get eight obedient servants who jump at my every whisper and then bask in the luxury I deserve for surviving so many years in this wretched world.
e) Start a small war.
f) Taste more camel tails.
g) Graze, buck off inexperienced riders, and gallop only on roads without paving bricks.
Q. If you were lucky enough to capture a Great Pagutu, how would you transport it?
A.
a) Kill it. Throw it in a cart and haul it there.
b) Ride it. This solution would be fun and educational.
c) Blindfold it and make it feel safe by piling a cart with foliage and food from its home. Drive the cart in front of it so that the smells are familiar making the trip is calmer.
d) Whack it with a stick, thus incouraging it to travel in the right direction.
e) Put a hook in its nose and lead it like any captive.
f) Chew on its ear.
g) Nip its rump.
Q. What is the one possession that you can't live without?
A.
a) My stupefying good looks or maybe a good supply of nose hooks. It's hard to choose.
b) My knife.
c) I'm afraid it's my personal manure scoop.
d) A good stout stick.
e) My chariot driver and my best spear. Yes, I know that was two, but your foolish rules don't necessarily apply to me.
f) My wooly lion.
g) My favorite oat sack.
Q. What amazing feat or hilarious joke are you most proud of accomplishing?
A.
a) That time I kicked a long goal playing head ball. The shot smashed up the head so badly they had to raid a pillar of heads outside the city gate to get a new one.
b) When I snuck Whisper out of the stables, still wet from a bath. Then rode her through the swamp and got her back in her stall covered nose to tail with swamp goo just as they finished bandaging the grooms who'd washed her.
c) Surviving over eleven years of friendship with Nirari.
d) Being promoted to head priestess even though I didn't believe in the gods.
e) Putting the skin from my first successful hunt on display. Or rather watching the servants put it on display.
f) Getting my first tooth.
g) Bucking Nirari so high that she landed in a tree.
Q. What stirs your liver?
A.
a) Skinning a fresh kill.
b) Seeing Hadden take his first shot at the goat with his tiny sling.
c) Seeing Nirari hover over Hadden as he climbs a small log right after she herself just dropped from a tree onto a running horse.
d) Seeing the true God actually work in people and the world.
e) Either watching a beautiful woman hauling water or a well trained army marching. It's a difficult choice.
f) When Nirari tries to sing to me.
g) A brave groom coming towards me with a soft brush and a double portion of oats.
Congradulations
If most of your answers were “a” you're an Anzillu.
If most of your answers were “b” you're a Nirari.
If most of your answers were “c” you're a Joram.
If most of your answers were “d” you're an Ildisi.
If most of your answers were “e” you're an Assurari.
If most of your answers were “f” you're a Hadden.
If most of your answers were “g” you're a Whisper.

It was a sad day when I realized that not everyone was thrilled beyond speech by every itsy bitsy piece of information about Ancient Assyria that I had managed to collect. And so in order to cease my weeping and bring delight to my liver I will post some of my very favorite quotes here on the site, because there is no one here to stop me. Ha ha ha ha ha ha ha ha ha ha ha ha … Maniacal laughter continues.
Sumerian cuniform text
An Interesting Superstition
“If for example a man had the unpleasant experience of a dog cocking its leg against him…this was an omen of very bad misfortune in store…so with the dog-soiled Babylonian gentleman, his coming disaster could be prevented by the appropriate ritual. A text gives full details as to what was to be done by a mashmashu to put things right: Ritual for it. You shall make a dog of clay. You shall put a piece of cedar-wood at its neck. You shall pour oil on its head. You shall coat it with goat-hair….You shall make a bonfire for Shamash on the bank of the river. You shall arrange twelve loaves of emmer bread…[and other food and drink offerings]….You shall set up an incense burner of gum-juniper. You shall pour a libation of best quality beer. You shall make the man kneel down. You shall take up the image and say thus:
Incantation: ‘O Shamash, king of heaven and earth….'
The incantation mentions the trouble and concludes:
‘Set the evil of that dog far away, that I may praise you!'
The instructions continue:
Thus it shall be said before Shamash. Over that image you shall say thus:
‘I give you as my substitute. Let the evil destined for my body be upon you….Let the evil before and behind me be upon you.'
When you have said this, you shall go away from Shamash and turn to the river and say:
Incantation: ‘This dog has sprinkled me with urine. I am afraid and fearful. Let this evil not return to its place (on the earth),…let it not be near….'
Incantation: ‘Let that dog be far off in the Abyss….Extract from my body the evil (omen) of the dog; grant me to live happily.'
Thus you shall say three times. You shall throw that image into the river. He[the man who met the dog] shall not look behind him. He shall go to the tavern.”
#22 pp. 188-190
A lovely curse written for the signing of a peace treaty
“Let Adad, who has care of the waters of heaven and earth, cause your meadow tracts to lack vegetation; let him (inundate) your land with a flood; let the locust, despoiler of the land, consume your harvest; let there be no noise from millstone or oven in your houses, let no corn be stored up for grinding; in place of corn let your knuckle bones and those of your sons and daughters be ground; let an enemy eat the dough from your trough; let food be lacking to you; let a mother bolt her door in the face of her daughter; let you yourselves in your need eat the flesh of your sons; … from hunger let one man eat another's flesh; let one man clothe himself in the other's skin; let dogs and swine eat your flesh; let your spirit have none to pour out libations before it.
Let Ishtar, mistress of war and battle, break your bow in bitter fighting, let her bind fast your arm, let her make you sit before your enemy's feet.
Let Nergal, hero among the gods, extinguish your life with his merciless dagger, let him send slaughter and deadly sickness upon you.
…
Let Ea, king of the depths of fresh water, lord of the springs, give you foul water to drink, may he fill you with dropsy.
Just as rain does not fall from a brazen heaven, even so let rain and dew not come upon your fields and meadows; let it rain burning coals instead of dew over your land.
Just as lead withstands not a fire, even so let you not be able to withstand your enemies; you shall take your sons and daughters by the hand and flee.
Just as a snake and a mongoose do not go in together and lie in the same hole without bethinking themselves of cutting off each other's life, even so let you and your womenfolk not enter the same room without thinking of cutting off each other's life.
…
Just as a butterfly that leaves its pupa does not return to its pupa, even so let you not turn again to the womenfolk in your houses.
Just as a bird is caught in a trap, even so let your brothers and sons deliver you over to the hand of your slayer.
…
Just as a wax figure is burnt in fire and as a clay figure is dissolved in water, even so may your form burn in the fire and sink down into the water.”
…let scorpions devour him who goes to the right; let scorpions devour him who goes to the left.
As the interior of a hole is empty, so let your inwards be empty.
…The treaty concerning Assurbanipal, crown prince of Assyria, and Shamash-shum-ukin, crown prince of Babylon.” #32 pp. 121-122
Siege Warefare
“Meanwhile, scaling ladders were used for vertical assault. While the defenders within hastily braced the base of their walls with piles of earth and rubble and fired arrows, hurled stones, and poured flaming oil on the enemy below, the attackers advanced under cover of leather shields.” Pg. 267 #8
“The battering-rams mentioned are amongst the instruments of war most commonly seen on Assyrian bas-reliefs…Basically they consisted of a metal (or metal clad) pole at the front of an armoured wheeled vehicle. The armoured vehicle gave protection to several men inside who provided the motive power and worked the ram, which in at least some designs of the machine was suspended by chains and could be swung back and forth to increase its momentum and to give a non-stop pounding on the walls.” #22 pp. 117-118
“Battering rams were of several kinds. Some were joined to movable towers which held warriors and armed men. The whole then formed one great temporary building, the top of which is represented in the sculptures as on a level with the walls, and even turrets, of the besieged city.” Pg. 118 #7
“The besieged, if unable to displace the battering ram, sought to destroy it by fire and threw lighted torches, or firebrands, upon it. But water was poured upon the flames through pipes attached to the artificial tower.” Pg. 118 #7
Creative Medicine
“Thus if a patient suffering from a long illness has a hallucination in which he sees a dog he will recover, while if he sees a gazelle he will die. Moreover, if the doctor passes a white pig on his way to treat a patient, the patient will recover, but the patient will die if the pig is black.” Pg. 307 #8
An Assyrian math problem
“Problem No. 2
‘If somebody asks you thus: as much as the side of the square which I made I dug deep, and I extracted one musaru (603) and a half of volume of earth. My base (ground) I made a square. How deep did I go?
‘You, in your procedure operate with 12. Take the reciprocal of 12 and multiple by 1,30,0,0 which is your volume. 7,30,0 you will see. What is the cube root of 7,30,0? 30 is the cube root. Multiply 30 by 1, and 30 you see. Multiply 30 by another 1, and 30 you see. Multiply 30 by 12, and 6,0 (360) you see. 30 is the side of your square, and 6,0 (360) is your depth.'15 “ #34 p. 302
Mesopotamian Science
“For example, in 1936 a clay jar was found in ancient ruins at Baghdad. Dating to between 250 B.C.E. and 250 C.E., the jar housed a hollow copper tube containing a vertical iron rod held in place by asphalt. If the empty space into the tube had been filled with an acid (such as vinegar), the object would have functioned as a primitive battery capable of generating a half-volt current. All that was missing were the wire connections. Yet the principle would be forgotten, and it would not be until 1800 that Alessandro Volta would “invent” the electric battery.” Pg. 326 #8
Palace Decorations
“Meanwhile inside the palace at Nineveh on a relief, Ashurbanipal and his queen enjoy a charming garden party, sampling delicacies to the strains of music while, from a nearby tree, hangs the severed head of an enemy king.” Pg. 222 #8
Intriguing Customs
“One of the most peculiar of Mesopotamian royal customs was that of the ‘substitute king.' If dire omens predicted the king's death, a temporary substitute for him would be chosen. The substitute would be dressed in royal robes, given a ‘queen,' and permitted to live in the palace in the hope that destiny would strike him rather than the real king (who stayed in hiding). Once the danger was passed, the substitute ‘went to his fate'---an expression that implied death. In this way the Mesopotamians hoped to trick fate. Becoming substitute king was not exactly a career move unless you were dying to sit on the throne.” Pg. 67 #8
Kings Speak Out
“I fixed up a pile (of corpses) in front of (the city's) gate. I flayed the nobles, as many as had rebelled, and spread their skins out on the piles….I flayed many within my land and spread their skins out on the walls.” #35 p. 262
“My royal image I fashioned in heroic size.” Pg. 256 #9
“The terrifying splendor of my dominion I poured out over them.” Pg. 157 #9
“In my virile vigor I trampled down his land like a wild bull.” Pg. 219 #9
“I cut off their heads like lambs; their blood I caused to flow in the valleys and on the high places of the mountains.” Pg. 84 #9
Note*
Currently I am just starting to query literary agents, so my manuscript is still enormous; including most everything I wanted it to. Perhaps if I get an agent, and later a publisher this will change. There is the distinct possibility that some of my precious prose will need to be sliced out of the story and left languishing in the editor's trash receptacle. If this distressing situation presents itself then you can be confident that those poor un-publishable scenes will find there way here for your reading enjoyment. Until then, I cross my fingers and hope that this section will continue to remain relatively small.
Another native of Assyria, the yellow scorpian
#1 Nirari and Joram's childhood brawl
Due to a dispute involving the speed at which the palace donkeys could consume a bank of untended thistles, Nirari had been ignoring Joram for five days. Joram, in the tradition of young boys, devised a fail proof scheme for eliciting a response, any response, from his fuming friend. His attempt was successful. In fact it is fair to call it over successful. He foolishly stated that Nirari's father smelled like a one-legged vulture with leprosy, and then stood well within range of her ferocious attack.
The ensuing brawl became a thing of legends. Perhaps it was due to the great quantity of retellings the story had endured. Frowning mothers at the well and grinning fathers gathered around tankards of barley beer were fond of repeating the tale. But whatever the cause, Nirari and Joram's mishap was destined to follow flush behind them to the grave. Further if her mother had any say in the matter.
Apparently Nirari had boldly tackled the thoughtless boy and they fell, and rolled, and bounced, down a treacherous hill, up over the yearling barn, across the royal gardens, and over a massively tall irrigation structure before landing Joram side down, in a pile of brambles along the Tigris that was so thick and large it held the ruins of an entire lost city.
Now one's manners are always suspect at the violent age of seven and thus when tackled, rolled, bounced, and miraculously flown to his demise, Joram lashed out in a furious rage and managed to be on the sky side rather than the ground side when they bounced again and smacked into a crumbling lion colossus. Many parts of the statue were marred by weather and age but the strong aquiline nose of this particular colossus had remained remarkably intact. Few people realize, though Nirari was destined to discover it, that a stone nose is quite sharp. That evil facial feature ground straight into her cheek when they hit and Nirari was less than gracious after her screams of pain had subsided.
She was certain the whole affair had been vengefully planned and therefore smacked Joram over the head with an enormous water jar that lay abandoned among the ruins of the fabled city. At least at five the water jar seemed enormous. Of course three broken down stele and a sadly leaning lion colossus had also seemed like a lost city. But enormous or not the blow leveled her young opponent and gave him a cut on the head that bled so thoroughly the stable master was forced to give him an entire day of leisure to recover. And that was perhaps the most legendary occurrence of the entire tale.
An Arabian camel,
neighbor to the Assyrian camel.
During the lifetime of the prophet Jonah, three great disasters rocked the ancient city of Nineveh. Was it mere coincidence, or divine whispers of judgment to come?
Nirari has always felt the favor of the gods in spite of her penchant for disaster. But when she humiliates a palace guard in a demonstration at her father’s knife booth, Nirari’s feet are set on a path that runs irrevocably toward both riches and destruction. Her father is chosen as Nineveh’s decoy king, but what appears to be the gods' blessing turns into a cursed choice Nirari could never have imagined. Within days of attaining princess status, an enormous earthquake and the threat of human sacrifice disrupt the palace and Nirari must flee to save her brother’s life.
Despite her boycott of every god imaginable, Nirari’s journey is fraught with unsolicited divine intervention. At the city of Tyre, a sea monster rises from the deep and spits a naked prophet onto the sand. Still covered with seaweed and bile, he proclaims a message of doom, a cryptic riddle, and the unsettling demands of a foreign deity.
In forty days Nineveh will be overturned. Nirari’s warning could save the city, but just as her liver softens toward the prophet’s God, she realizes the completed riddle places her brother at the most dangerous location in the empire. Can she battle Heaven, hide her brother, and warn Nineveh that judgment approaches? And after all the blood the city has spilt, does she even want to?
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A persian horned viper
For three centuries Assyria sent her young men out to die. In 1200 B.C. the Sea Peoples swarmed through the Middle East’s Fertile Crescent, ushering in a season of war. For the next three hundred years, enemies shamed Assyria through recurring defeat. Their desperate armies would gain a victory only to be struck down again and again. And as the nation’s fallen warriors were laid in the earth, their sons rose up, stepping across their fathers’ graves and onto the field of battle. As blood baptized each generation, they found strength; as foes crashed down upon them, they grew hard…and cold. Slowly each orphaned male bent his heart toward brutality until Assyria broke loose from her oppressors. She stood tall, proud, and absolutely void of mercy. Like a bleeding lion backed up against stone, Assyria slased out at the world, and no nation could bear the site of it.
In 900 B.C., Assyria shook the earth with a war machine whose cruelty is unsurpassed to this day. By 763 B.C., Assyria had tyrannized her neighbors for over 130 years. She wielded terror with the practiced hand of an artist. Conquered cities were decorated with pyramids of severed heads. Captives stumbled back to their homes missing fingers, hands, noses, or eyes. Rebels were skinned alive. The whole world cried out for God to see these atrocities and unleash His wrath, in this life and in the one to come.
And God heard. Calamity reigned in Nineveh, one of Assyria’s capitals. Rain ceased to fall on the land as God whispered warnings through famine’s parched voice.
The stench of death had indeed penetrated the highest heaven. The soft flailing of motherless babes had turned God’s head. He heard the deep-throated cries of grandfathers and the scrape of iron on leather as tender boys scrambled for swords.
And when He could bear the horror no longer, God spoke into the ear of a cold-eyed prophet from Galilee, “Jonah. Go. Go to the harlot of the Tigris, the warrior laughing in his tent, the glory of Assyria. Go to Nineveh.”
The prophet knew of Nineveh, so he boarded a vessel sailing for Tarshish. Nineveh was to the east. Tarshish lay at the far west of the known world, across the Mediterranean Sea and on a different continent than Nineveh. Even so, such things do not fool God.
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CHAPTER ONE
The 15th day of June (the month of Sivan), 763 B.C.
Nineveh
The sun burned against Nineveh, melting crops and making livers boil. From her post on the left of the knife stall, Nirari lowered her lashes and risked a sideways glance at the man. She had participated in enough demonstrations to recognize the perfect volunteer when she saw him and her father had chosen well this morning.
Date palms along the Euphrates River
Sales were always best if the volunteer was ignorant. Large and ignorant was the ideal. Not wanting to enlighten their guest, Nirari kept her distance. But what she could see of him looked promising, though the jostling crowds and his tendency to face every conceivable direction but hers hid most of his features.
However shy he might be, the man before her was built big. Nothing could hide that. He looked capable of strangling an antelope and was definitely eating well despite the famine. The crush of muscles around his shoulders and arms were weighed down by a solid pack of fat at his middle.
Using its broken wheel for a step, her father climbed onto an overturned chariot and spread his arms wide to the crowd that shuffled around the knife booth. But the man remained engrossed in his study of the merchandise. He picked up a hunting dagger the length of his forearm and tested the balance of the blade as her father skillfully painted the necessary mirage for Nineveh's morning shoppers.
“My blades are hand crafted, strong enough for the god Assur, yet with a beauty to delight even our goddess Ishtar.” Her father nodded respectfully at a large stone figure of the goddess nestled among the completed swords. Most of her face was covered by the decorated hilts, but her robust bosom was clearly visible.
Nirari sidled closer to the man, though she did not dare a peek at his face now that she stood so near. She carefully positioned herself where he was sure to jostle her as he replaced the dagger. It was important that the volunteer feel her small height and slight build. Leaning over the dilapidated chariot toward his audience, her father continued.
“And I'm willing to prove so before your very eyes. Choose the most powerful man at this booth and let him wield an ordinary blade. I shall choose my only daughter, fragile flower that she is.” He clapped his great fist to his chest and lifted closed eyes toward the heavens in mock petition to some god.
After a hushed pause his eyes snapped open, and he drew the crowd closer with whispered intensity. “But when I place within her hands one of these glorious blades, I swear by Adad's lightning, she will be victorious over your chosen behemoth.”
The crowd immediately sized up the man beside her, for his paunch in no way detracted from his height and power. As they gathered around him, he turned to replace the dagger and bashed Nirari in the shoulder. She fell back with a small thump onto the packed dirt street, the very carving of frail femininity. But instead of the pale look of shame and mutterings of “My poor girl,” he grinned down at her, his teeth yellow against the black pit of his mouth.
“Hello, Nirari.”
Nirari gasped and swallowed some kind of bug. In the midst of a fit of choking she hid her face in her hands. This could not be happening, she thought. The gods would not be so cruel. It was Anzillu; her father had unwittingly chosen Anzillu.
Anzillu, her one and only marriage prospect, was a man fully capable of using phrases like, “Marry me,” and, “I'll chop your nose off for that!” in the same breath. He was enormous of size and ego, sprouting all over with black, bristly hairs from his uneven eyebrows to his thick, curling toe nails.
Anzillu pulled out his own dagger, a much used monstrosity depicting a poorly carved bull's head on the pommel. Her father tossed her his best blade, his eyes heavy with apology. Instead of an arrogant soldier sure of easy victory, Nirari faced a furious ex-suitor, slighted and suspicious of her every twitch.
Anzillu lunged for her neck, the grin still looming on his face. But at sixteen Nirari was small and quick, like those little lizards that streak out of a hand just as it closes around it. Her skin was a smooth sun-baked brown, save for a raised oval scarring her right cheek. Black hair poked out from her head in twenty stubby braids, like so many burnt twigs. A strip of leather pulled the braids away from dark eyes. But her most charming feature was a bright, reckless smile that made her mother cringe and rush to hide their most fragile pottery.
Fortunately, fifteen years as her father's only hope for a son hadn't left her without skills. Nirari darted behind the wide sweep of Anzillu's arm. But the white knuckled grip on his dagger made it obvious that a blood-free conclusion to the “demonstration” was not likely to satisfy. She touched her scar and then kicked the back of his knee, tipping his balance as she dipped back under his dagger arm.
Anzillu clipped her shoulder with the tip of his blade just as she came to the edge of his reach. Slowly he began to force her back into the knife stall where her agility would be tempered by the close quarters.
“By the gods! What's wrong with your hair?” Anzillu blocked her path with his great bulk so close now she could smell the leeks and barley beer on his breath. His smile returned, deforming his face into a grinning moon of furrows and moles.
Nirari glared at the offending soldier. “You go one-on-one with a giant river bush and we'll see what your braids look like.”
“I've seen war captives with tidier braids. You'd better widen your ears and grab me up before some other skinny, scarred, mostly bald girl catches my eye.”
Just as his meaty fingers brushed her braids, Nirari raked her blade along his forearm opening a wet red line. He instinctively pulled the wound toward his body and she slipped past, putting him within the close walls of the knife stall. She paused to suck in her first full breath and noticed Hadden, her baby brother, sitting a foot behind Anzillu, cooing and flapping his arms at floating specks of light.
Before Nirari could move, Anzillu stepped back, pinning the babe's arm beneath his leather boot. Hadden screamed but the brute didn't seem to hear, his every sense focused on her. Nirari flew forward, a blur of brown wool and mismatched braids. Sensing that something at his back had caused her sudden panic, Anzillu snapped his head around, faster then wisdom dictated. As she passed him, Nirari reached out and snagged the base of Anzillu's thick neck. Using the momentum of his turn she slammed his forehead straight into the great bosom if Ishtar, goddess of love and mistress of war. The sick smack of stone and flesh hit her ears just before she snatched up Hadden. Anzillu swayed, his eyes bouncing like jerboas in their sockets before he toppled backwards into a display of ornamental daggers.
She held Hadden up for inspection, frowning over his tear-bright face and the purple rising across his arm. Nirari quickly swiped Hadden's tears with a corner of her shawl and pulled some twigs from his dark curls. Wonderful, the little monster was injured. Her mother was going to flay her alive!
She looked over the top of Hadden's head and caught her father's eye. He was a large, sweaty man with a hastily braided beard and a hug of fierce proportions. Nirari nodded her head toward the street they would take home and curled her fingers below her mouth like the fangs of some bloodthirsty beast. Her father nodded as he quickly sold ten blades to the clamoring crowd. He hardly even haggled at prices and soon the throng began to thin. They had to smooth this over at home as quickly as possible. Her mother was a …difficult woman.
Nirari turned to contemplate Anzillu's still form as her father dug through a basket of polishing cloths and found a shallow pot of ointment for her shoulder.
Truly this was an opportunity with irresistible possibilities. She glanced back toward her father. Hadden had crawled to him and he was struggling to keep the babe out of a glowing brazier while he spread some ointment onto a bandage. She still had time. Nirari darted to the back of the booth, chose a blade with a thin gleaming edge, and knelt by Anzillu settling his head in her lap. But as she moved the blade toward his face a strange twinge within caused her to pause. If she continued, Anzillu would never be content with an apology and the ceasing of all hostilities. After a humiliation of this magnitude only her blood on his blade would suffice. She slowly lowered the dagger, after all, who needed mortal enemies?
Just as she turned away, Hadden squirmed from her father's grasp and she saw the thick dark bruise on his arm in the full morning light. Before she looked down to see what her hands were doing, Nirari had snatched a fistful of the soldier's oily beard and was hacking off great chunks of it. She stopped and surveyed the destruction for a moment. The damage was irreparable.Oh well, she thought, this is Anzillu after all. He deserved every drop of humiliation he was capable of soaking up.
After a closer shave using the dagger's fine edge, Anzillu's encounter with Nirari was complete. Not only had he been bested by a useless female, without his beard every single human he encountered that day would assume he was a eunuch. It might even extend to part of tomorrow depending on how fast he could grow facial hair.
She grinned down at Anzillu's helpless bulk. The gods had gone out of their way to lay a golden opportunity in her lap. Who was she to deny them their pleasure? Her father wrapped the bandage around her shoulder and turned her toward the road. He had paled slightly and Nirari suddenly remembered that they were returning home to face her mother's inevitable wrath. She sighed. Better now than later.
Nirari's heart wandered back to the fight as they walked. What had thrilled her so much about besting Anzillu? She wondered. It probably didn't say much for her character that she'd been toe-tingling happy when the big man went down. He'd not even imagined she had the skill to beat him, again. Nirari smiled—she loved that moment when someone is revealed as more than everyone thought. In that instant she was more: stronger, brighter, faster, more valuable. To look into a person's eyes and see amazement sweep through. This isn't just a foolish, style-impaired girl with unsightly hair: she's more.
“Much more,” Nirari told her imagined doubter as they walked silently through the market, past booths of sickly grain manned by thin merchants with stooping shoulders.
Nineveh rose from the desert built up on the carcass of the ancient city below it, old homes, palaces and bones. Despite the city's fierce history, famine had stripped her down to sinew and claw, hide and sunken eyes; she was an old lioness, hungry and padding through a wasteland of rattling grasses.
But Nineveh's river side mocked the desert. Built flush against the Tigris River, it was draped with moist foliage. Crisp alabaster colossi stood guard, giant statues of bulls and lions topped by the stern bearded heads of ancient kings, and great white stairs marched down into the water. Even after nearly seven years of famine, the Tigris brought a blush of green to the city. Perhaps famine could make a lion gaunt and mean, but as long as life remained it would always be a lion. Made to kill, feast and rule.
After leaving the market it was only a short walk to Nirari's street. Their house had thick walls of sun-dried brick white washed against the heat, and a single door painted red to ward off evil spirits.
Nirari's mother, stiff and veiled, snatched Hadden from Nirari's arms the moment they entered the courtyard. Her mother's hands went instantly to the deep bruise on Hadden's arm and her face paled with anger.
“I know your days saw favor before Hadden was born, but I never dreamed your fall in status would drive you to kill an innocent babe.”
“I saved him. Anzillu was at the stall and, well he did sort of step on Hadden, but I managed to give him a massive lump for his trouble…”
Her mother smiled slightly and raised one perfect brow. “Nonetheless, I don't want you watching him this afternoon. He's going back to the knife stall with your father. He will be much safer with only deadly weapons and white-hot forging fires to avoid.”
Nirari rolled her lower lip between her teeth and fiddled with her lopsided shawl. Her father stepped closer and his words rumbled through his beard like the soothing growl of a mother bear.
“Come Princess, I've just finished a dagger that is so perfectly balanced, I swear by Ishtar, a beggar boy could pick it up and send whole armies fleeing for their lives.” He wrapped his great arm around her, guiding Nirari past her mother's stony glare to the back of the house.
Nonetheless, her sharp words followed their flight. “By the gods, Mannuki, you have turned that girl into a Nahiru with your coddling ways. All the lazy creature can do is fight and ride like a soldier. She is sure to go unmarried and shame us both.”
Nirari quickened her pace, but her mother's voice carried across the courtyard easily. “And Nirari, that basket of blue wool is finished. Take it to the palace before we're all impaled. How you can place brawling above the safety of your own flesh and blood is beyond me.”
Nirari praised her father's new blade, gave Hadden a kiss, her mother a glare, and slipped back into the street. She walked slowly lest she muss the carefully folded fabric in her basket. Despite her lack of warmth, Nirari's mother was a fine weaver and in much demand at the palace.
Nirari walked down streets of hard packed earth and past shaded homes with walls up to a kanu thick to hold back the heat. She grumbled to herself for she made painfully slow progress through the sluggish crowds. If only she had a horse these trips would take half the time. Of course she had Whisper, but any rides on the gray mare were risky at best, though utter foolishness might be a more accurate description.
The mare belonged to the royal family. Nirari wasn't actually allowed in the royal stables, but luckily the stable master owned her best friend Joram. Not only could she, a girl, ride, she had limited access to the finest mounts in the empire.
Her father had shattered tradition and taught her to hunt and use a knife. But it was Joram who taught her to ride. And eventually, despite several years spent protesting, he'd even agreed to be her opponent when her father insisted on teaching her to fight like any Assyrian boy. Joram, though admittedly grouchy, was muscular, lithe, and an excellent fighter. He was also the best friend a girl could conjure up, even if she'd had the help of the gods.
Being someone with so many noble or, according to Nirari, tediously righteous characteristics, Joram endured Nirari's many foolish endeavors remarkably well. Though he did groan and beseech his god whenever one of her infamous ideas came dancing through her heart. However, no one could be entirely carved to perfection.
The smell of the market tickled her nose: fresh fish laid out for sale, the crush of unwashed bodies bumping toward the grain booths, road dust rising in small puffs around each sandaled foot, and old palm fronds baking in the heat. Bright spots of sunlight skittered across her face, and a few slaps with the loose end of her shawl kept most of the flies at bay.
Even after the whole Anzillu thing, life remained good, and so as long as her father kept her mother at bay it would surely remain so. Indeed the gods must be smiling down upon her.
Nirari slid through the maze of sticky bodies that packed the streets of Nineveh. The shuffling crowd created a fog of dust that drifted around her face and coated her damp tunic with grime. Nirari stopped to brush the gritty moisture from her forehead with the back of her hand. That was when she noticed a small dark smudge blackening the edge of the sun.
The beads of sweat felt foreign on her suddenly cold skin. Were starvation, suffering, and dying fields so insufficient that the gods felt the need to attack the very heavens? What in the empire had Nineveh done to receive such wrath? Now don't panic, she thought, maybe it's just a huge bird.
Nirari felt a slight wobble creeping from her ankles up her legs to her knees. She knelt by the temple of Ishtar and stared up at the sky, steadying herself with a hand on the hot road. But the smudge soon spread as the moon drew the sun into her dark embrace. It was the frightful shamash akallu, or bending of the sun --one of the most dire celestial signs known to man. A message from the gods, a message of doom against Assyria and her king.
The murmur of nervous voices grew to a low rumble and then a panicked roar, as more and more people stopped to stare upward.
A priest, robed in linen and smelling sharp of juniper, appeared beside one of the alabaster cherubim or colossi that guarded the temple's entrance. The colossi were huge stone lions with wings and the heads of men and stood at almost three times Nirari's height. But despite these massive stone protectors, the priest trembled.
“Observe the sign in the heavens!” the priest screamed. “The moon has swallowed the sun, turning light into darkness. Nineveh is under the fiery gaze of heaven and has been found wanting. A god will come against the king and calamity will fall like rain upon our land. Humble yourselves before the gods if you place value upon your living selves.”
A cold touch traced up Nirari's neck and across her scalp, like the icy finger of a long dead spirit. But even as terror spread through her body, her heart was choosing the fastest route to the knife stall. She had to get to Hadden.
Nirari scanned the crowd. Women began to wail and throw dust in the air while the men cursed and drew their blades against the sky. Nirari jumped off the steps and ran hard toward the market. Nineveh's dazed citizens were just seconds from a mass panic that would make the famine seem like a blessing to those caught in their path. “Hadden is not going to be one of them,” she whispered to herself.
A noise, like the crash of the surf, rushed toward her. Nirari ducked down a side street and into the market, but she was too slow.
The panicked crowd roared up behind her like a wave, flattening the brittle market stalls. Their senseless flight crushed anything foolish enough to remain in the open. The broken bodies of the small and slow were left in their wake, like flotsam strewn upon the shore. Nirari slammed through a stack of baskets and into the next street, but still a wall of living souls boiled down on top of her.
She sucked in a breath and turned, but hundreds of hands clawed her under. Legs pounded down from above. Dust and tears filled her throat. Nirari grabbed an ornamented belt as the owner trampled over her. In a mad scramble she climbed up his back, leaped off his shoulders and hit the roofs running.
When she reached the square mud brick building that leaned over her father's knife stall, Nirari stopped. The mass of people in the street tumbled and flowed over what had been the market. The knife booth where her father worked was scattered like the rest of the wreckage, beneath a thousand tramping feet. If Hadden had been there when the crowd swept through…Nirari closed her eyes and strangled the thought.
He was fine. He had to be.
A bitter memory pressed to the surface of her heart. She saw her mother again, on the day of her failure. Echoes from that cursed event slid through her, piercing her liver. Hate had hung in the air, and her mother's slim shoulders shook with rage as she screamed, “You wicked, jealous little beast! I should have drowned you at birth, your soul is crooked as any clubbed leg.”
It had been her mother's first day back at the weavers. Plans for Nirari's betrothal had been canceled (thank the gods) so that she could care for her tiny brother. Despite her talent with a blade, Nirari had failed to inherit any of her mother's domestic prowess and was appropriately terrified. Nonetheless she took Hadden to the weaver's to nurse at her mother's breast, sang him to sleep, and changed his soiled wrappings with some success.
All was going as it should until he vomited in her face, soaking her clothes and hair. Oh she hadn't cursed him like her mother thought, but she'd shouted, plopped him down in his basket, and stormed outside.
Nirari let him scream while she paced the street outside their house, aiming a kick at a foolish chicken that ventured too close. She hadn't let him cry long, only a minute, but it didn't matter. When she came back in, he'd been sick in his bed. When she held him close, singing and pacing the floor, he vomited once more. And by the time her mother returned, the house stank of disease, of death, and nothing she could say would exonerate her.
True, she spent those sleepless nights wiping the filth from his face and bathing his shaking body. But her mother didn't care, didn't believe her, didn't trust her. When Hadden's fever finally cooled and he began to eat, her mother had laughed saying even the gods didn't think much of Nirari, for they had failed to uphold her curse.
Nirari took a deep breath and closed her eyes. She wouldn't look at the street again. Hadden wasn't there, couldn't be there among the splinters and crushed fruit. She jumped to the next roof. Her house was only one street over. If her father had been alert they could have made it. She would find Hadden, and he would be fat and happy and annoyingly alive in every way. He absolutely had to be.
Hours later Nirari trudged down the powdery street still in search of her brother. The sun's hot hand pushed on her robe, gluing it against her back. It shone down cheerful and calm from the heavens, a pleasant yellow in an over-blue sky, as though no signs of doom had ever marred its brightness. Yet everything else was scarred.
Even so, the people of Nineveh slowly began to come out into the open. They stared up at the sun, squared drooping shoulders, and began clearing the wreckage from around their homes and shops. Perhaps their faces were a bit pale, but the terror was gone. This was Assyria by the gods. They were the rulers of the world, hunters and warriors and kings.
Nirari was staring at a dark patch where the road had soaked up blood when her forehead smacked into a well-muscled chest.
“Looking for something?”
Nirari glanced up to see a tall, bronzed boy about eighteen years old. His jaw length hair lay unbraided and smooth—except for the thick slave braid hanging down his back—and his beard was close-cropped, instead of plaited like an Assyrian's. A small smile touched her face. It was Joram.
In his arms a grime-covered infant blinked sagging eyes and gave a sleepy squeak.
At seeing Hadden the tears almost came; they pricked at the backs of her eyes, a shower of weakness hidden deep in the dark of her liver. Instead, Nirari stood on her tiptoes and snatched him from Joram's arms. With a ragged sigh Hadden folded his warm body against her chest, his lashes brushing her pulse.
A small part of Nirari dwelt upon the fact that if she had been lost in some massive panic her mother would have only made a cursory search, though her father would have been more thorough. Yet she also fought a strange urge to press her cheek against her brother's hair and submit to a storm of shameless weeping. She was accustomed to feeding him, bathing him, giving him a playful kiss on the nose. But the idea of such an emotional display was disturbing.
Nirari finally decided that a calm soothing reaction would be best for all parties involved and she patted his back with the slow steady rhythm that always sent him deep into sleep. “Never again Lion Cub,” she whispered. “I won't let you get lost, or hurt, or sick, or so incredibly dirty ever again. I will not fail at the only task I am valued for.” Well that was still alarmingly tender, she thought. At least he was asleep for it.
“Thank you,” Nirari glanced at the heavens acknowledging the gods. “But I'll take it from here,” she told any prying deities.
As they walked back, Nirari gave Hadden a little kiss every other step, before he woke up to witness her brief lapse. A kiss for Hadden's left cheek, a kiss for his right eyelid, a kiss for his chin, a kiss for his chubby neck…
“Don't you think he's gotten enough kisses? There are other, cleaner people who haven't had any kisses at all.”
Nirari stopped and surveyed the empty street, then turned a lofty eye to Joram. “I don't see anyone cleaner than Hadden, although that corpse we saw two streets over looked quite a bit cleaner than you.”
“I may look dirty, but its just dust.”
“I don't care about your dust.” She gave Hadden's ear a kiss.
“Don't you care where I found him?”
“Yes,” Nirari spun toward Joram. “How did you find him? Was he crying? Was he hurt?”
“No.” Joram took a step back from her onslaught and laughed. “Somehow he ended up at the royal stables. I don't suppose you've ever risked your mother's ferocity and snuck your brother into the stables?”
Nirari dug a design into the street with her toe, ignoring his bright teeth and laughing eyes.
“Anyway, he was curled up sleeping like a little cub, his fist in his mouth. He'd been chewing on something in his sleep.”
“He does that all the time, likes to mouth stuff while he's crying. He may look silly but at least it helps stifle the noise.” Nirari smiled and kissed his little fist.
“It was really cute. But I uncurled his fingers to see what he had, and he didn't want to give it up. He woke up and screamed at me. He even turned a little purple.”
“How mean can you get, taking—” She kissed his pouty bottom lip.
“Taking manure from a babe?”
“What?” Nirari stopped mid kiss.
“Yeah, I found him sleeping in the manure pile behind the stallion barn. When I finally got his fingers open I found a big chunk in his hand. He'd been sucking on it while he slept.”
Nirari glared at Joram and gave Hadden a cautious sniff. She wrinkled her nose and started spitting on the ground and wiping her mouth on her dusty robe. “You could have told me.”
“I just did.”
They continued in silence for a time, Nirari trying not to see the mangled remains of the market and Joram quietly letting his eyes roam the street. Finally Nirari broke the quiet.
“What horrors have your inexplicable god rained down upon your life this week?”
Joram glanced down at her and laughed. “Must there be horrors this week? Perhaps my days have been a soothing balm to body and liver alike and I've done nothing but nibble dates and sip beer from a golden straw?”
“Sure, Joram.” Nirari twirled Hadden's curls around her finger tidying him up for her mother. “But I recommend just going ahead and revealing your god's newest plague before I go desert-crazed from the wait and come after you with a water jug.”
“Pretty brash Nirari, last time you didn't walk away unscathed. Who knows which decaying structure will fall on you this time?”
Nirari had been five when she'd gotten her scar. And in spite of his loudly sworn vows of indifference to her plight, Joram had spent a furious hour digging her out from under a fallen heap of glazed brick. Nirari closed her eyes and touched her face where the scar dug a white circle in her cheek. The price he'd paid, staying to go after her. She took a deep breath, blowing out the guilt, and then looked up, giving him her brightest smile.
“Who knew my greatest enemy was destined to be some king's half crumbled stone nose?” Joram smiled back but she noticed that the memory had shadowed his eyes.
He pulled on his slave braid and looked off toward the river. “But once again my divine punishment has a disturbing connection to you.” Nirari rolled her eyes and rested her cheek against the top of Hadden's head.
“Last week you were on such a rampage about how the colts needed to run free, feel the wind in their ears. I'm a fool, but it seemed like wide-eared advice.”
“You let them run, that's wonderful.”
“Yeah, they ran free as the wind straight into the king's garden. They were trompling flowers, biting the gardeners, and eating grapes like mad beasts. Those vines are imported too. Then I saw the garden decorations and nearly vomited on the prince's favorite colt.”
“What decorations?
“You see, just off from where the king and queen eat, there is a cluster of palms and then a lone pine. Well, hanging in the pine was some guy's head!
“By their table?”
“Yeah, Assyrians have got to be the nastiest people alive.”
“We are not. Hebrews are worse. And lots of kings keep old heads in the garden.”
“Yeah, maybe lots of Assyrian kings.”
“I'm afraid that it is obvious to everyone but yourself that the gods are punishing you.”
“Honestly Nirari, no amount of singed animal fur or chanting is going to make God safe and malleable. If horrors are raining down it's not because I failed to put food out for my dead relatives or to pay homage to the stars.”
“What kind of a wimpy god is that?” Nirari smiled up into his brown eyes and watched a scowl form. She couldn't help but smile at Joram. He was so lovably grumpy sometimes. “I want a just god, a sensible god, I want to know exactly what to expect from him.”
“Sometimes He simply…scorns justice, because He loves.”
Nirari opened her mouth to explain the absolute necessity of justice as a divine personality trait, but Joram had stopped in front of her house.
Forgetting the argument, Nirari marched toward her parents holding Hadden high, a smile of conquest shining on her face.
Her father ran toward them, his beard had escaped its plates and fell on his chest in wild curls. Then Nirari's mother came swooping down like a grandmother crow kissing, sobbing, and scolding all together and at once.
Nirari was babbling explanations, her father was laughing and tickling the back of Hadden's knees, and her mother's scowl had begun to return when a strange crackling quiet drifted toward them and each one turned slowly in unison to stare down the narrow road.
The silence drifted with the wind for a moment before they heard the hard smack of hooves and the rolling of chariot wheels. Dust shifted far down the street and then the royal procession burst through a swirling cloud of grit. Tassels swayed against the horses' breasts while gold and ivory gleamed on their bridals. Then the heavy infantry came bearing lances. Like great silver fish stepping from the Tigris, their scale armor flashed against the setting sun.
Fear-numb faces poked out of every house to stare at the spectacle. The people had just finished sorting through the dead. Their limbs were still weak from running the streets and their eyes gritty with weeping.
Joram leaned close and whispered in her ear, “I've got to go. All these horses are going to come back to the stables caked in road grime and snorting for hay in their mangers.” He squeezed her shoulder and jogged back the way they had come.
Soon a quiet crowd was piled up along Nirari's street. The people bowed their heads and held trembling hands behind their backs. Why had the king come here? Assur-dan III had only recently returned with the army, their street would have little to concern him.
Two tall beardless men walked toward them. One on the left of the road and one on the right, they examined each face before moving on. By their smooth, hairless skin Nirari knew that they were eunuchs, most likely the king's chief eunuchs, who often accompanied him on royal occasions and stood on either side of him in the throne room.
Then a spearman flanked by two warriors with bows and maces appeared. Stiff and tall, they marched directly in front of the royal chariot.
The king's driver held two glistening stallions at a slow walk. Assur-dan III stood stern and tall in the royal chariot. On his royal robes, lions and men fought and died in elaborately embroidered scenes. Maybe this is a favorable sign, Nirari thought. If his heart is turned to hunting then it shouldn't be dwelling on the foolishness of blade smith's daughters, disappearing royal mares, or furious palace guards with excess nasal hair and recent head injuries.
One of the eunuchs stopped and scowled at a stone cutter who had meaty shoulders and a grim mouth. The other eunuch murmured something negative and they continued down the street. Then they both scrutinized a sweat stained carpenter, even going as far as dragging him before the royal chariot. But the king dismissed their choice with a frown.
Finally the procession pulled abreast of Nirari. The eunuchs shoved her mother aside and gestured toward her father in a confusion of whispers. “Look at the girl and the babe …the ancient one spoke of a firstborn girl …king's demand, and I'll not be impaled …his only heir …” The king waved a hand and everything stilled. Like a lion approaching his kill, their monarch stepped down from his chariot, brushed past Nirari in a swirl of rich purple wool and stood before her father.
Nirari lowered her head to show respect. The Assyrian monarch had absolute power over the empire and all his subjects. He could demand that someone be mutilated, or impaled. And whether the command was reasonable or not, spoken in the heat of anger or the deep of sleep, it would be obeyed.
A slave with an ivory handled fly whisk followed the king, lest a foolish insect approach Assyria's shepherd. Their ruler's eyes met her father's, and for a long moment they were men of stone, pupils carved to stare in silence at one another.
Assur-dan III turned to the eunuch on his right, “Seize him, Ildisi never errs.” The king made a small gesture toward the soldiers.
He turned away then. The scent of cedar drifted from his robe and the gold on his head and hands gleamed under the last few rays of evening sun. As he stepped into his chariot the king paused, for Nirari's mother had stepped up beside her father with Hadden snuggled in her arms. Sorrow touched the king's eyes for a moment and Nirari saw him swallow. Then coldness seized his features and he turned away. With a slight nod to his driver the royal chariot thundered down the street and was swallowed in a great swirl of dust.
Fear, like a skim of ice, touched Nirari's liver and she shivered.
Two guards in short tunics, quilted breeches, and tall hard boots took Nirari's father by the arms and forced him into a second chariot. By the gods, Nirari thought, this confirms it. Someone must have seen me riding Whisper. She started down the road toward the chariot, her hand going to the small blade strapped beneath her shawl. But from the corner of her eye she saw someone approaching Hadden and her mother. Spinning quietly Nirari slipped back. The royal brutes would avoid her brother if they wanted to keep their self respect. Men just hated being bloodied by an insignificant female.
But the guards came to a stop and one of the eunuchs stepped forward and addressed Nirari's mother. “You may wait at the palace.” Nirari stood silently expecting a more developed explanation, but silence rested on the air, like a mist coming up from dark water.
“Where are you taking my husband?” Nirari's mother asked. But the eunuch only gave her a small nod indicating the waiting chariot. When her mother turned to secure Hadden in his sling, Nirari bent and whispered quickly. “Take Hadden into the house, I'll be behind you.”
“Are you desert-crazed,” her mother whispered, “or actually trying to get your father killed?” She shot Nirari a black look, gave the sling a final tug and stepped into the chariot. Nirari's hands formed small fists at her sides, but she clamped her mouth shut, stomped to the chariot, and stepped up beside her mother.
The chariot began to clatter over the market's scattered remains and Nirari yanked Hadden out of the sling on her mother's back. Ignoring the glare of utter loathing intended for her, Nirari held her brother tightly against her breast. She would not fail to protect him, even in this. And by the gods, when their tale was complete her mother would see it and thank her.
Nirari sighed and leaned against the rattling chariot. What foolishness were the gods playing at now? She glanced at the passing city and traced her scar with a finger. A breath of cool came with the setting sun and blew gently across their faces as the chariot blazed toward the palace.
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